Genre: Historical Fiction
About DemiRebLocation: Haarlem, Netherlands Age:52 Favorite novels: The Physician - Noah Gordon, The Three Musketeers - A. Dumas, The Island of the Day Before - Umberto Eco Favorite writers: Alexandre Dumas, Umberto Eco, Simon Vestdijk Favorite music: Bach, classical guitar music Non-noveling interests: Drupal, tinkering with os cms/shoppingcarts, drawing/painting, reading |
Joined: September 13, 2008 This Year: Official Participant NaNoWriMo History: NaNoWriMo posts: 128 NaNoWriMo buddies: 8
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Synopsis: Lapis Lazuli
In 1659 Brussels master painter and seasoned traveler Michael Sweerts reads a pamphlet published by the newly formed Missions Etrangeres de Paris. It invites clergy and laymen with useful skills like painting, music and medicine to join a mission to China. Trumpeted as both an evangelical and commercial enterprise, the new French mission soon meets with protests from the Jesuits, the Portuguese, the Dutch and the Vatican.
Michael joins the mission and moves to Amsterdam. There he meets again with the immensely rich merchant family Deutz who are collectors of his paintings. Then disaster strikes. The most violent storm in memorable history hits the Netherlands. Nearly a hundred ships sink near the island of Texel. Among them is the Saint-Louis that was commissioned to transport the missionaries.
After a year of delay the mission departs in secret from Marseille. Some weeks later they arrive in Alexandretta. The company continues to Aleppo were Michael receives an important commission and learns that his life may be in danger.
Excerpt: Lapis Lazuli
The souk of Aleppo was a maze of streets winding around the great citadel in the centre of the city. Thousands of shops presented their merchandize from all over the Levant in displays that were a feast for the senses. The Flemish caravanserail was located in the section of the textile merchants. Here brightly colored silks and printed cottons attracted local women, crumpling the fabrics in their hands to test the quality. Merchants praised their wares in Turkish, Kurdish and Arab, but just as easily switched to French or Italian when they spotted a European.
Michael was tempted to stop and examine the fabrics. Gaspar would be delighted to know what was on sale and for how much, but for the moment, Michael had a more pressing business. Following the directions of the quartermaster as best as he could, he made his way to that part of the souk where pigments were sold. Here they were used to dye wool and silk for carpets and cloth. Using them to make oilpaint like the Europeans did was still somewhat of a rarety.
Dozens of shops displayed pigments in a rainbow of colours. It would be hard to make a choice. Michael purchased some earth pigments; ocre, sienna and umber. They were of good quality but not exceptional. There was no finer sienna than that of Italy. It was not was he was looking for.
In a little side street he found what he wanted. A basket full of rich deep blue pigment. Ultramarine, made from the semi precious stone Lapis Lazuli and worth more than gold in Europe. The merchant was well aware of that; the price was not much less than a golden coin, gram for gram. Michael inquired where the merchant had obtained the pigment.
"From Kandahar, monsieur. The very best in the world" the merchant replied.


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